"Muso, a research firm that studies piracy, concluded that the high prices of streaming services like Spotify and Apple Music are pushing people back towards illegal downloads. Spotify raised its prices by one dollar last year to $10.99 a month, the same price as Apple Music. Instead of coughing up $132 a year, more consumers are using websites that rip audio straight out of YouTube videos, and convert them into downloadable MP3 or .wav files.
Roughly 40% of the music piracy Muso tracked was from these “YouTube-to-MP3” sites. The original YouTube-to-MP3 site died from a record label lawsuit, but other copycats do the same thing. A simple Google search yields dozens of blue links to these sites, and they’re, by far, the largest form of audio piracy on the internet."
The problem isn’t price. People just don’t want to pay for a bad experience. What Apple Music and Spotify have in common is that their software is bloated with useless shit and endlessly annoying user-hostile design. Plus Steve Jobs himself said it back in 2007: “people want to own their music.” Having it, organizing it, curating it is half the fun. Not fun is pressing play one day and finding a big chunk of your carefully constructed playlist is “no longer in your library.” Screw that.
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If y’all got kids, don’t forget to teach them how MP3’s and actual media files work, I see many young people nowadays don’t even realize you can locally store your own music in a portable device-agnostic format. They’re beginning to get used to the idea of not owning anything.
First you’re gonna have to teach them how file systems work since they’ve spent a life saving everything to Google Drive or OneDrive and using a search term to find their files.
I’m continually astonished how I thought grunt-work IT jobs would fade away as my generation and younger aged into the workforce becoming ever more technologically literate. Then the iPhone my rich friends bought in highschool became the new standard for interfaces.
Now I’m helping people several years younger and much older than me navigate the machines they use for their jobs.
Yeah funny, right? I thought the same thing. It’d just be the older people and the younger would be more technically literate. But companies started abstracting a lot of things now and it’s both the older and younger that struggle with IT literacy.
I think thin clients with VDIs will be the future and both make this stuff even more abstracted for users and also bring in the age of subscribing to workstations. At work, it’ll start by just plopping stuff in your documents folder or personal folder or whatever and/or the desktop. They’ll live on a network share and the VDIs will revert to snapshots to be ‘fresh’ every time but the users won’t really know that. Their stuff will be plopped down like it is local every time and ‘follow’ them from VDI to VDI.
Then I think this will push to the home market and instead of spending a lot of money up front, you just get a cheap thin client, probably eventually a small little box with USB ports and mini-DP or whatever. You’ll then pay for the tiers you want. Want just a workstation to check mail on and do ‘web apps’ type stuff? $5 with a whole 5GB of personal space or whatever. Then there’ll be “productivity tiers” with pretty much the same stuff but more CPU, RAM and a small amount of vGPU allocated and you can install programs with something like 500 GB of personal space. There’ll be a “pro” version with more of everything and a “gamer” version with a lot of everything probably costing something like $30/$40 a month starting out per device.
And of course eventually, you’ll be getting ads to “keep the prices increases down” and then that won’t matter anymore and you’ll be given the option to pay for ad-free add-ons, time on the workstation and so-on. Prices will raise nearly every year. Thin clients will turn into all-in-ones and be basically tablets where you buy based on screen sizes and probably able to wireless connect more displays.
Technology in computing will become more abstracted and IT’s specialists will shrink once again because actual tech literacy will decrease.
I think the only reason it hasn’t started yet is due to Internet throughput availability but that’s quickly changing.
A boring dystopia indeed.
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The main issue to solve is kids not having access to a computer at home, whether it be lack of incentive or money. Most people don’t even own a laptop anymore, so the only computer time they get is in a school setting.
Once the majority of schools have a system in place for most homework to be done on a PC, then there may be some creative ways to incentivise more PC adoption… again. It’s like we’ve gone back to the early 90s again where only kids who were really interested in computing knew anything about it.
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Partially yeah, but atleast Google Drive and Onedrive still have folders to sort and share more than one file, which sometimes gets the kids to actually use those features.
What also killed the basic understanding of PCs, is the way in which everything is now done “in-Browser”. No longer do you need to open Word to edit a document, nor do you need to open Photoshop. It’s all done in the browser, and if you want to simply “save” a document, well, just don’t close the tab and you’re golden.
I remember my kids crying the first time they lost their school assignments using Microsoft Office at home. They’d only ever used Google docs and no one taught them to save. They also had no idea what the save icon is or represented (floppy disk).
> my kids
> no one taught them
That was kind of your job m8
just don’t close the tab
My RAM is screaming.
Just download more.
you wouldn’t download a RAM
That brief, magical moment in time of about 2 decades in the “home computer revolution” of the 70s, 80s, and 90s, where you had to be an actual geek to be able to effectively use a computer are gone. That’s how we all got trained. By being forced to learn if we wanted to do anything. Now, it’s one-button instant gratification.
The eternal September.
Thats the exact reason I just donated my old pc to my sisters kids as a “practice computer”, encouraging them to go rummaging around.
What woke me up was all these 20-somethings in our uni having trouble using computers. Damn, how can you get through our secondary education in our country and not know how to use a normal Windows pc?
I’m convinced primary education as a system is engineered to teach you how to be a patriotic, service-consuming, rentable employee first and foremost. (Humans As A Service?) Secondary education just levels that up so you require more expensive proprietary tool licenses for the potential privilege of doing more complicated jobs. (Funny how all the critical-thinking specialties are derided for not making tons and tons of money.)
Thank God for the good teachers that inspired us in spite of all the odds against us (and them).
It also blows my mind how much schools and universities are struggling for funding, but take the bait and use hyper-proprietary black-box commercial software for everything from OSs to coursework. Professors outside of CompSci will be shocked and confused to see a student using Linux, and courses love to use stupid niche features of Microsoft Office so your LibreOffice work won’t be good enough.
Indeed! I introduced my kids to this through the example of our in-house Plex server, and it worked really well.
First they “get it” because Plex works like the streaming services they’re used to and they think “oh neat mom can do that too.”
Then they like it more because I show them how its streaming we can control ourselves - streaming home movies and pics really impresses this upon them.
And then they see that there’s no magic to where the content comes from – it’s a digital file on Plex just as it is on Netflix.
Voila. Free thinkers for life.
If I ever do have children, this is one of the things I want to teach them.
Hopefully, it turns into an important memory for them.
Learning about technology from their parents’ and how it isn’t magic.
This makes me sad. I had so much fun growing up learning about compression and encoding, ripping, tagging, spectral analysis. Listening to 24/96 vinyl FLACs on my parents old stereo with my pinky up. Hanging out with a bunch of 40-year olds on IRC. Good times, man
Hanging out with a bunch of 40-year olds on IRC.
Heh, now we’re the 40-olds on IRC.
I am Gen Z, and my whole social life is on IRC. So weird to be around so many people who were online since before my parents even had a computer…
No worries. They’ll reinvent the wheel eventually.
No, they’ll think the corporate dystopia they’ve grown up into is normal. They don’t know that corporations tried and failed to stop people from owning and using VCRs. They think it’s their duty to sit and watch ads from their favorite creators like passive cows.
This is a pretty bleak outlook on the intelligence of kids
It’s an outlook developed by watching the peers I grew up around and the things that they accepted and didn’t question because it was just “normal” by the time they were children.
For example, a lot of kids in my generation grew up with Cable Television, but by the time I was a kid, cable had lost it’s initial “we’re better than broadcast because we don’t have ads” and people just accepted the ads. Most people never knew there was a “time before” when there weren’t any ads, and because of their lack of knowledge of it ever being any different, they never had reason to question why cable television needed ads now when previously it had not.
Once things become a societal “norm,” the people who grow up around that norm tend not to question it simply because they have never known anything else. It’s not meant to be an indictment on the youth as much as the obvious “you can’t know what you don’t know.” If they don’t ever know it was ever any different, how can they expected to do anything but accept how things are? Especially when the adults around them don’t kick up a fuss and keep paying for Netflix when they keep getting screwed. They are learning that this is normal behavior and that it’s normal to get screwed by a company and just keep paying for it.
Wait, did the pitch for cable TV at one point really include that there were no ads?
Have you ever seen cable TV abbreviated “CATV?” That’s because the original original pitch for it was as “Community Antenna TV,” wherein it would receive local over-the-air broadcasts and then send them over a wire to folks who couldn’t receive them properly because they lived behind a mountain or whatever.
The second pitch was getting original content on cable-only channels, but because your subscription was helping pay to license it (unlike the over-the-air channels, which they – at least initially – got for free), they would be ad-free.
Of course, nowadays cable companies have been made to pay retransmission fees to broadcast TV networks and cable-only channels are showing ads too, so both content sources are double-dipping revenue streams.
(Side note: that link is to a site trying to sell some kind of service, so ignore the last part of the page – the explanations at the beginning of it are quite good, though.)
Wow TIL. The double-dipping is pretty sketchy, but not at all surprising. It seems hubristic for Netflix to court the same concepts… I guess cable/network TV probably thought they were untouchable so they could squeeze the consumer, then Netflix happens… Now Netflix thinks it’s untouchable and it can squeeze the consumer. Hmm, seems familiar.
Yes, it could be argued it was the pitch, much like Netflix originally was. It’s actually kind of wild how the streaming services are literally following the same path as cable television.
Here’s a New York Times article from 1981 about it:
https://www.nytimes.com/1981/07/26/arts/will-cable-tv-be-invaded-by-commercials.html
Although cable television was never conceived of as television without commercial interruption, there has been a widespread impression - among the public, at least -that cable would be supported largely by viewers’ monthly subscription fees. These days, however, as cables are laid across the country and new programs constantly pop up to fill the gaping maw, cable experts are talking as glibly about the potential advertising revenues as they are about opportunities for programming.
‘‘The floodgates for advertising on cable are down,’’ says Michael Dann, a leading consultant on cable television. Indeed, even pay television, once assumed to be secure from commercial interests, is attracting some attention as a potential vehicle for advertising. Admittedly, such leading pay cable services as Home Box Office and Showtime, whose programming consists primarily of theatrically released films, staunchly maintain that they will never accept advertising.
Also, I’ll just point out that people in here not knowing about this literally proves my point that if the changeover happened before you were born/early in your childhood, you’ll just accept the change as “the norm” because you never knew anything different and had no reasons to question it. It’s not about the intelligence of any generation of kids, it’s just an inherent part of not knowing what happened before you were born, which is something every human experiences. It takes dedicated effort to find out that “the norm” isn’t “the norm,” for anyone. Also, on the flip, we’re not particularly special for figuring out “the norm” isn’t “the norm.”
Wow, I had no idea. I didn’t even really know that cable was at one time the fancy premium version of TV.
One thing I think we can say though is that a big part of why Netflix was disruptive was the promise of watching uninterrupted-- No ads. So even though folks thought “of course cable has ads, that’s the norm,” they also flocked to services that provided ad-free alternatives.
I’m always surprised when I see someone just sit through a YouTube ad or something, instead of beating their chest and screaming “WHERE uBLOCK? HOW ADS?” which alarms the neighbors but they’re used to it at this point (which is what I do)… But it’s encouraging that people still voted with their feet by dropping cable as soon as a less extractive experience emerged. It gives me hope that the endgame of enshittification is irrelevance.
Look, it’s on it’s last legs, but Bandcamp and Bandcamp Fridays still exist.
Reasonable cost, money goes directly to the artist, and you get high quality FLACs with no DRM to keep permanently.
I pirate a lot, but I also spend a lot of money at Bandcamp trying to get money directly in the hands of the artists I enjoy.
And Bandcamp Friday is today.
I wish we had Google Play Music again. It really was an excellent app and had flawless suggestions for me I always enjoyed, and truly the most intuitive mixes. Google is evil of course, but honestly one of the best features was the listing of bands playing near you in the upcoming weeks, I went to so many shows because I’d try their music via the GPM suggestions.
I listen to the Henry Rollins show on KCRW to try to get into new music but despite my appreciation of him I find his music tastes repetitive. How many weeks in a row can I listen to the Jesus and Mary Chain?
I wish we had Google Play Music again.
I liked the fact that I could take my Google survey money and buy albums on that service. It’s pretty irksome that they cancelled it.
Loved that part! I bought many records that way. And when we went to YouTube music one of the records I bought disappeared from my uploaded music too.
And when we went to YouTube music one of the records I bought disappeared from my uploaded music too.
Yeah, that’s why I made sure to download every single album I bought. Digital rights are a joke.
I don’t listen to nearly as much music these days, YouTube music is so ass, I really miss gpm. YouTube can’t even get notifications right, like I get a notification that a band I like released a new album or something so I tap it… and it just fuckin opens the home page of the app??? EVERY SINGLE TIME. How do you fuck up even the most basic feature of the notifications!!!
The “radio” always brings me back to the same shit that’s playing on the actual radio, regardless of me playing the radio based off of bluegrass or fuckin clown techno idfk it will play imagine dragons and blinding lights shit eventually, guaranteed. The algorithms are actually dumpster fires.
Probably around 60% of the roughly 20,000 songs I uploaded (I think that was the limit) didn’t get transferred over and are just gone. Thanks Google.
Also even though the notifications don’t work, it is nice to know when your favorite artists release something new. Gpm was great about this, ytm seems to think I want the hottest vevo shit
Also who the fuck ever thought it was a good idea to use the music video versions for songs instead of the song version, when we’re in the music app, should be fired into the sun. They’re probably the same person that originally synced your video and music “histories,” skewing your YouTube algorithm entirely so your homepage would suggest nothing but music videos
Seriously, what a shitshow of an app, but that’s where most of Google is headed these days
Also who the fuck ever thought it was a good idea to use the music video versions for songs instead of the song version, when we’re in the music app, should be fired into the sun.
Agreed, this is infuriating. I’m in the music app, searching for a piece of music by it’s exact name and artist, and I know that it’s available on YouTube Music.
Here’s a lyric video uploaded to some random asshole’s YouTube channel. Or maybe you want this awful cover version from this other asshole on YouTube. Oh, my mistake, you wanted it as performed by the actual band? That you included in your search? How about this phone camera recording of a live show.
It’s compete garbage. Made even worse when you’re searching by voice command while driving and can’t just quickly correct bad results by looking through the list yourself.
I never liked suggestions/radios on any streaming platform - GPM, Apple, Deezer, Spotify, they’re all shit.
I use streaming platforms solely for checking out new music that picked my interest on sites like RYM, albumoftheyear, anydecentmusic, Quietus, Picthfork, etc. If I like what I hear, I acquire it either on Bandcamp or on Soulseek and into Plex it goes.
Have you used Jamendo radios?
No, I don’t think so. Should I? I have a vague memory about seeing Jamendo in Rhythmbox when it shipped in Ubuntu by default. It was a long time ago, I didn’t even know it was still a thing.
It still works. No famous groups in there but it works.
But it is a good example of inconvenience. One day they decided well, we’re closing shop. And that made it pretty clear for users that they didn’t own the music.
Google lets you download your music files that you previously uploaded. The method isn’t intuitive but it’s not difficult. I don’t know if the option is still offered but I would guess it is since they still have YouTube Music.
I used to have a big CD collection. Ripped it all off the CDs and uploaded the files to GPM. I was able to download it all.
The fun part is, before it was Google play music it was another service by another company that I can’t even remember now. Google bought it, then fiddled with it for a few years before shit canning it.
I miss the original app, it was wonderful for just throwing music on based on your mood.
I think what you’re describing is Songza and it was great as a service. 8Tracks has been pretty decent as well.
I wish we had Google Play Music again.
Not exactly Google Music, but I recently started working on a Funkwhale instance where people can have up to 250GB of space for their personal music collection and where I am planning to have a store front for musicians who’d like to sell/promote their own songs as well. 29€/year if you go to https://communick.com/packages/access. Sounds reasonable?
It does but I can’t seem to get into Funkwhale, I’ve tried a few times!
What do you mean? Are you talking about the software in general or that can’t login into my instance specifically?
Nicotine+ is the way to go for this.
One of the main reasons I still pay for Spotify is because it is very cheap in my country, specially when splitting a family plan. However I noticed that the user experience has gone downhill over the past years.
I remember when I could seamlessly switch playback devices, from my car to my phone, to my computer and them a Chromecast almost instantaneously. Now I’m lucky if my devices recognise each other even if they are on the same network.
And if you have a poor internet connection, the app is near unusable because it tries yo grab online content first before checking whatever is downloaded. Time and time again I have to put my phone on aeroplane mode just for the main menu to load, it is so frustrating and this didn’t happen some 5-6 years ago
I got caught in a crazy loop of Spotify resetting my password once a week. they offered no help except telling me my 40 char generated password was not secure enough. so I cancelled and deleted the account. the seas are a much more friendly place.
I’m paying for a family plan, for my family and two friends. The day this plan goes away, or they actively prevent sharing like this, I’m done paying for music. All alternative services are considerably more expensive, and also have a much more limited library. My favorite artists get less than pennies on a dollar from this anyway. No wonder they have to sell 85$ hoodies at concerts
It’s taken longer than I expected, but more and more people are realising streaming services as a model are not good, by any measure.
They cost more in the long run, you are made powerless as a consumer (perpetually increasing costs and removing your favourite content), and you can’t even get ‘everything at the convenience of your fingertips’ cause the market is fragmented and they remove things periodically. You own nothing and pay more. Absolutely stupid model that deserves to die.
Yeah, that is true for video steaming, but not music. Spotify has almost every song on the planet, and with a family account it’s very cheap. Unless you only listen to a very small music library it’s vastly cheaper than buying all the music
I do use streaming (although for free) to find new tracks. But I cannot imagine having my PRIMARY collection there, mostly because it’s so locked-down. You can’t use it on a dumb MP3 player, you can’t use a player application of your choice, etc.
Spotify has almost every song on the planet
Until a contract negotiation with UMG goes south and they lose half the catalog overnight. See what’s happening on tiktok right now for a good example of this.
I understand the convenience draw, but I’m not a fan of continually paying for content that can disappear at any moment.
Well if that happens, then there’s always piracy. But until then. I’ll use my family account. Because I don’t have the resources to download all the songs that my other 4 family member likes.
Or, since I cannot download each and every song they like, I’ll turn to another form of piracy. Revanced yt music.
Piracy creates an endless loop of artists taking advances and eventually losing royalties. That’s just what I’ve seen growing up in the music /film/ TV industry and briefly working in both. Screw labels and Spotify but go support artists and actually buy stuff.
Not fun is pressing play one day and finding a big chunk of your carefully constructed playlist is “no longer in your library.”
this is exceptionally true from my experience with Spotify. I had downloaded a playlist that had a specific song. One day I went to play my locally downloaded playlist only to glance over it and see that the song was unavailable. I had the song downloaded. In my device and it still removed the song. No warnings, no nothing. Ever since, I downloaded everything locally and completely ditched Spotify. Fuck this scummy behaviour
I get your anger, but if they no longer have the license to play the song, they cannot allow you to play it, even if the file is on your device. I don’t find it scummy in the least. You didn’t own the file, you were renting it from Spotify.
Yeah, I get what you are saying, but then it’s imho dishonest Marketing, and the user expected something different when they signed up for the paid service. I think “renting” movies, tv shows or music is not something the user expects.
If they would advertise it as “pay us 20 Dollarinos a month, and you can listen to your favorite music for as long as we allow it and don’t take it away from you!” they surely would never be popular…
But that’s what they advertise. Everybody knows that streaming music from Spotify doesn’t mean owning the music there.
It never left. My MP3 collection is getting kinda disgusting at this point. I really should delete a bunch of it, but you never know when I’m going to want to listen to that album I downloaded 15 years ago and haven’t gotten into yet!
Every few years I just create a new folder of the artists that I actively listen to and keep the older stuff out of my library but still in storage.
I have a slightly different suggestion.
Inflation is crap and the first thing to go are subscriptions that raise their prices when people are already hurting. If you want retention, keep your prices locked when users are having bad times and you’re raking in record profits.
I think curation is great too, but I also think age plays a lot into individual views. A bunch of the younger guys at work were saying how they didn’t want playlists and they didn’t want to listen to an album, they just wanted to hit a button that knew their tastes musically and would give them a mix of familiar likes and new discoveries. The proceeded to describe a radio station to me, sans commercials. They were hot on all the music streaming and though I was crazy for wanting to spend time sorting through music.
Looking at a Spotify by age graph, the boomers dig it (because it’s easy?), Gen-Z and the Younger Millennials dig it, Gen X has less than half the uptake of the other groups.
We were mixing our own tapes in our tweens and teens. We wired ourselves to find music, copy it and play it in the specific order we want.
or at least that’s my story and I’m sticking to it.
A radio station is a small selection of music curated by an individual and meant for the masses.
Modern music streaming has dynamically curated music from a nearly infinite source, it’s really not the same.
Spotify tried to shove Doja Cat at me the other day. I have never ever EVER listened to anything that would even remotely suggest I would like Doja Cat. It may be infinite but there is still someone behind the scenes pushing particular songs and artists.
If you don’t like the artist, then block them. It’s not that hard. I blocked Travis Scott after he got those people killed at his concert and I haven’t seen a single thing with him since.
verifiable via personal experience
Bandcamp ftw
I used to do lots of piracy back in the days. I am so glad those days are behind me and have not been big on the scene. What would be some sites to avoid to not fall in the trap of being a criminal. I love giving companies all of my money and do not ever want to go back to my old ways. Please help me with a nice list of things to avoid.
I personally carefully avoid ed2k, gnutella and soulseek, just like in the olden days. But you may also want to avoid YouTube with youtube-dl or YT search in QMPlay2.
Avoid Spotify dl. Easily installed and after insted from the command line by typing spotdl
Never left, baby! Although ripping from YouTube should be a last resort. And even then, use a proper tool like Yt-dlp.
I wanna know what is so different from my experience with Spotify. Because as far as enshittification goes, it hasn’t really changed since I first began using it almost a decade ago aside from the price going up a little last year. I mean, I constantly see people saying it has ads even with premium but I have not once ever heard a single ad for anything, even for Spotify’s own services on the platform, that was put there by Spotify and not simply already in a podcast that would be there from any source of listening to said podcast.
Maybe it’s because most of the artists I like are fuckin dead so their shit never gets removed 🤷🏻♂️
Spotify was OK back when I used it after Google Music died. YouTube Music’s algorithm sucked so I used Spotify for about a year. Then I installed Plex for movies and TV but also found it was also great at streaming music. PlexAmp gives me access to a good suggestion algorithm. I made the decision to give them my $$ instead. Now with lidarr+scripts I can have any music I want with almost zero effort. Plus, as the OP said, I get the fun little side hobby of music curation.
I’m curious about where you find your music. When I looked into an indexer for music ~3 years ago, it was slim pickings. I recently found that there a method to download from Spotify, but haven’t had a chance to try it out
Not sure if you mean find recommendations of new stuff to listen to, or the download source? Recommendations from Last.fm Download source is currently Deezer. Lidarr+ scripts has a bit of a learning curve https://github.com/RandomNinjaAtk/arr-scripts
Man piracy is so complex nowadays with this script and Plex stuff, all I know is downloading .flac of albums from rutracker haha no docker container home server required
Agreed. I’m a frequent sailor of the high seas with TV and movies but I actually pay for a Spotify family plan because it’s so convenient and I love the features they have like being able to use my phone app to cast music to any available nearby source or having a party and allowing multiple people to input songs to a shared playlist. I do encounter frequent bugs with all their updates but that hasn’t risen above the level of mild annoyance yet.
Pirating music is such a pain in the ass these days since there is no standard naming conventions like with TV and movies and there can be multiple sources for the same song (single, album, compilation album, web rip, etc) so even tools like Lidarr don’t make it easy and most public/private torrent trackers are pretty sparse when it comes to music outside of the most mainstream of mainstream albums.
Are there standard naming conventions for movies and TV? Where?
